new album from container aka ren schofield - and this one even has a name!

from australia to bitterfeld - 4 dark & twisted cuts from senate.

2019 vinyl reissue of the soundtrack for monty python’s “the meaning of life”.

a collection of hits from bob marley, that didn’t became mainstream - plus tributes on side b.

peter van hoesen launches his new center 91 imprint with a four-track ep

supported by ame, auntie flo, danny tengalia, peter kruder, dj aakmael, horse meat disco, jamie trench, loz goddard, ouer

australian newcomer a most wanted man joins with the monologues records family with a sumptuous debut ep that shows he s very much one to watch. hep cat is a peppy, soulful slow-burner which gradually reveals a triumphant string sample, voice from above is another buoyant beauty with feel-good strings and vocal cuts, and importance of the hi-hat is a more stripped-back slice of warm deep deep house. fellow fast-rising aussie, jad & the, pursues his passion for tonking breakbeats on his remix of the latter, making for a spooky, mysterious workout. dj support: laurent garnier, black loops, jacques renault, danny tenaglia, jazzanova, auntie flo, peter kruder, aroop roy, horse meat disco, red rack em, joyce muniz, art alfie, dj windows xp, nuno dos santos, eli & fur, jamie trench, lorca, vhyce, yokoo, danvers, justin harris, dom servini

whether thought of as a fistful of small change or as a digitally distributed asset, monetary exchange is best calculated for aesthetic ends at the planetary scale. zoom out, and as far as you can. yen towers is copenhagen’s simon formann, known for his work as a member of lower and age coin. “bidders must justify their price” tracks the mechanisms of global exchange and scales sound system dynamics to fit, preserving only the minimum quantity of human perspective necessary to calibrate itself for advanced club environments.

gila steps out of the shadows with a huge release. two massive,cold metallic techno drillers from the trench, with acidic nuances and big room bravado attached. 106 slipper is the a-side, a weighty, slow tempo,morphing banger. driven by punishing percussion,this is a polyrhythmic take on techno from the trenches. receiving love from mary anne hobbs, optimo & hudson mohawke. trench cadence, the b-side, is a drum line procession sent through a meat grinder, picking up erratic idm aesthetics, and a villalobos who gives a fuck mentality. hard and built for the club.

just a few months after its first release, nitsa traxx comes back with a very special 12”. the project started with a file exchange between eduardo de la calle and ferenc. they decided to work each track on their own side using only a few isolated sounds from the other. this way none of the tracks could never be treated as a full original, but proper remixes of tracks that never existed, building an uncanny, almost dreamlike emotion. a side is for ferenc’s “parón largo”, where synthetic strings are omnipresent and time and space unbends, evolving to an anticlimax where an eerie vocal and the longest possible drop are the leading trademark. a never ending and emotional standstill that goes deeper than the mariana trench. eduardo de la calle uses his distinctive signature sound in the b side. “cloaking tech d fly d” is an obsessive yet beautiful track that reminds us of the somewhere in detroit series. this is a mental and heart-warming tribute to the motor city sound that just a producer like eduardo could do. next releases are on the corner already, and we can’t wait to share them with you.

u-roy was a true reggae pioneer, dubbed the originator for good reason. bursting onto the jamaican scene in the earliest 1970s, he pioneered the vocal approach called ôtoasting,ö which in addition to branching out jamaican music into a new era, was also heavily influential on an american genre in its infancy: rapping. on dread in a babylon, his third full-length, he stretches out over traditional roots grooves provided by the soul syndicate and skin, flesh & bones bands, riffing on topics including love (ôrunaway girl,ö a 1975 single released in the uk on virgin records), the bible (ôthe great psalmsö), walking the straight and narrow (ôlisten to the teacherö), and even his take on governmental policy goals (ôchalice in the palaceö). the album finishes with an instrumental version of bob marley & the wailersÆ ôtrench town rock,ö for good measure. u-royÆs style and charisma are always on display, and û as with all of his classic records û the groove rules all. presented on black vinyl with a poster of the glorious, ganja-drenched cover art, itÆs the perfect chance to revisit one of the more underrated voices in jamaican musical history.

with the motorforce ep, pépe joins the renascence family in its fourth installment. a both tear-jerking and hot-blooded collection of music inspired by long highway drives in the spanish summer, pépe goes from lost-in-the-tarmac-jungle percussions to relentlessly emotional energy with melllow and nostalgic synths. dan white brings you deeper than the marianas trench through a light, spellbinding, dub rework under the rings around saturn moniker to top off the emotional trip that this entails.

l atelier hit back to the roots for bloom roster with a killer groove to start things off, sexy, moving and one to get any floor going. jamie trench follows with a nod to the old school of 80s drum machines and twisted vocal hits, with a disco twinge on the break. oli furness refurns after appearing on the last shag this one following in the same suite, heavy drums, killer sampling and an absolute heater. ghetto chords are the new boys on the block here for rootsforbloom bringing up the b side with a jazz, piano infused hit. again anyone who knows the series will be all over this.

one of jamaicas most highly-rated vocalists, alton ellis made an incredible contribution to the islands popular music. blessed with a particularly emotive voice that brings shivers to the spine whether singing original material or cover tunes, ellis was born and raised in trench town, the west kingston ghetto area that gave rise to bob marley and the wailers and countless other singers. ellis and singing partner eddie parkins hit big in 1961 with the ballad muriel for coxsone dodd, and after parkins moved to the usa, ellis teamed briefly with john holt, and then began fronting the flames harmony group. he excelled in the rock steady style, christening the genre with rock steady and i have got a date, bouncing between studio one and treasure isle for a number of years. from 1971, he spent increasing period in london, but continued to record hits in jamaica for various producers. the 1979 release love to share was arranged by the great studio one keyboardist, jackie mittoo, who co-produced the album with junior lincoln, founder of the london-based bamboo label, the disc straddles the line between lover’s rock and roots reggae, remaining a lesser-known classic

this superbly crafted bob marley set (2lp + download code) compiled and annotated by french journalist vincent tarrière, chronicles the story behind this legendary article “the wild side of paradise” published by rolling stone magasine in 1973 through the memories of photographer arthur gorson and features a handpicked selection of bob marley’s best songs, recorded at his creative peak, during the late 60s and early 70s, when he was working with producers bunny lee, leslie kong and lee perry.

g. markus returns with two fresh edits after his first g-edits release sold out and enjoyed heavy support from all sorts of discjockeys. 70s soul/disco is the flavour here with a legendary diva getting the treatment, with one big peak-time banger and a slo-mo chugger for good measure. danvers helps thickens things up in the bass department with some live electric bass on both tracks. getting love from: karizma, atjazz, nuno dos santos, coco cole, waze & odyseey, huxley, droog, roger sanchez, severino, black loops, mj cole, doorly, piek, golf clap, terry farley, voyeur, fred everything, inland knights, moodymanc, sinden, jamie trench, rob da bank, michel de hey, moon boots, harri, lrusse, edwin oosterwal, lars behrenroth, speaking minds, bill brewster, kiko navarro, blakkat / shaboom, sacha robotti, psycatron, bodhi

holding hands is blasting off with a bang of cosmic proportions, featuring two cuts from desert sound colony’s dance floor alter ego ‘dsc’. far reaching, as its name suggests, takes inspiration from the deep well of our musical past. drum & bass, jungle, breaks, house and hardcore are all present. that being said, this is not just a revival record. these sounds combined take your mind out of the past and place it firmly in a previously unimagined future. hard as nails to begin with, the track eventually builds to a glorious rapture. too hard is deep like the mariana trench and made for dance floor meditation. kicks rock you back and forth as a soft canvas of pads drapes itself over your mind. space is the place people, space is the place. both tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight…

shag edits series hits volume 7 and in great style. we welcome oli furness to the shag party and he delivers two outrageous cuts. u can is a disco bomb hitting you in all the right places, from the hands in the air, to the guilt free sing along moments. kick it rocks a hip house feel, holding real grit and groove throughout. jamie joins oli on the a side with woody dunked, anyone who knows jamie s work will recognise the style, always grooving, hard hitting snares and heavily sampled. bress underground ties up the b side with another disco gem. again its a let your hair down, vocal groover with a carefree attitude.

folamour is a new name in the roots for bloom family but by all accounts he fits right in. the opening track nights over you rocks an original and an edit from the label boss himself jamie trench. it focuses on emotive chords, mesmerising key lines and as always on rfb a great groove and low end. the vocal sample cuts the break and takes the limelight of the track. the a2 last morning screams sunshine again focussing on a strong vocal sample -when the morning comes- which you cant help but picture sunsets to. folamour s last offering is $0$ which reminds us of the likes of 90s disco cut samples with great strings and keys throughout. a strong offering from a new head on the rfb scene.

rfbcolours 004 is aimed at the dark, jazzy smokey affairs. from the off u can see the imspiration fro the ep title with the a1 track from sombro and embezzlement society capturing a low end, horn sampled groover with rough claps and an undeniable groove. georgi barrel delivers again with something that will warm up the coldest clubs or capyure you on sunset terraces. long island sound hit the pianos hard on the slower paced but equally as grabbing and tense -grit-. label owner jamie trench rounds off with night lanterns which is a track thats been waiting for a space on wax for a good few years now and fits beautifully with the rest of the ep.

in the lead up to their 5th year as a label music is love celebrate by continuing their infamous va series the lovebox. sticking to the winning formula of a hefty double vinyl package comprising of 8 tracks from 8 top artists, this time they have some familiar people alongside new faces to the label.

the 1983 album from bob marley & the wailers back on 180 gram vinyl. comes housed in a gatefold sleeve with download code included.

tribut-sampler mit klassikern, versions, covern und einem konzertmitschnitt der marley family auf 180 gramm vinyl.

nach zwei alben auf dem britischen label planet mu (heimat von künstlern wie mu-ziq und venetian snares) schließen sich solar bears nun sunday best an. als große fans von david lynch wurden sie auf das label aufmerksam. “advancement” hat alles, was etwa boards of canada-fans glücklich machen sollte. psychedelische soundscapes gekoppelt an modernste elektronik, flirrende ambient-passagen genauso wie knackige beats als kontra-punkt. wurde schon der vorgänger “supermigration” mit reichlich lob bedacht, führt “advancement” das konzept nun weiter. die beiden musiker david kowalski und rian trench aus dublin haben sich abermals mit dem amerikanischen film-regisseur micheal robinson zusammengetan, der das werk mit einer serie von video-clips im netz begleitet. so finden die sowieso soundtrack-geeigneten stücke eine großartige visuelle entsprechung.
die vinyl-lp erscheint inklusive downloadcode.

the shag edits return on roots for bloom with volume 5. label boss jamie trench starts things off with where the party at which reaches in to a hip hop flavour with that 90s sample feel. reece johnson rounds off the a side with a disco style cut that will bring the boogie to any floor. the b side sees the label welcome more newcomers in bristols j.morrison and the mysterious g.markus. brown eyes sees that 70s style funk brought to the table and bing! is a more house affair with a rolling feel to it.

rfbcolours hits release number 3 with a return from jamie trench this time delivering 2 tracks himself alongside jammhot who bring two of their own.

mit den zwölf besten tunes aus den jahren 1980 bis 1985, die der sänger (bürgerlich: errol osbourne) für king jammy eingespiellt hat, ausgesucht und zusammengestellt von dem jammys experten johnny wonder! als musiker fungieren die high times band, die roots radics, steely & clevie, noel davey und mafia & fluxy. als toningenieure waren bobby digital, king jammy, squeengine francis, beckett und soldgie hamilton am start. johnny osbourne war mitglied des legendären vokal-trio the sensations und wurde als solist zum studio one veteran und dancehall-reggae star, dessen stimme bei aufnahmen von den beastie boys, major lazer, u.v.a. gefeatured wurde.

9 track lp of original material from zoovox. made with classic sounds of ana-digi machines of yore and filtered through some norman whitfield-in-jamaica 3d psychedelic dub. music to ride to the depths in your submarine, then climb tropical volcanoes with your gorilla pals.

cpu records are honoured to welcome back the elusive automatic tasty, aka jonny dillon, from dublin, who delivers 4 tracks of trench coat acid / electro funk with at’s signature acid-tinged break beats woven throughout. the life parochial demonstrates jonny’s accomplished studio mastery, where you’ll find nods to mr fingers, luke vibert and metro area. but more importantly his own stamp of quality and musicality where each track is bursting with insatiable melodies that compel you to listen again.

need you back is a collaboration piece between the anonymous mystep character and vocalist frank h. carter iii. the original track and vocal laid the grounds for remix work by label regular jamie trench, and a most experimental remix by our new friend dudley strangeways. this release also commemorates 3 years of made fresh daily, it s been a hell of a lot of fun and learning so far. here is to another 3, mfd forever.

trials of the blues features big pads, driving beats and sexy stabs, oh and also a bit of sax action from lisa d, as featured on their standout ep on local talk. glenn astro turns in an off kilter funked up version with a bassline deeper than the mariana trench. fever rounds the release off with a huge bassline and some lush vocals. the second release from purple velvets own imprint, secret reels sees them take things more dancefloor friendly with trials of the blues. big pads, driving beats and sexy stabs, oh and also a bit of sax action from lisa d, reunited from their very successful local talk ep. glenn astro turns in an off kilter funked up version with a bassline deeper than the mariana trench, fresh from his ep on box aus holz. fever rounds the release off with a huge bassline and some lush vocals.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

canary recordings second ep, featuring tracks from jamie trench(tsuba, viva music) ,manooz(morrisaudio), lockwood(midnight love club), and label owner yusuke yamaomto from japan. this is a solid collection of deep & raw house music beats to keep you moving until the early morning.

the shag edits hits volume 4 welcoming david glass, timmy p and twos tones to the roots for bloom roster. david brings a big hitter with tape deck with its mc sampled vocal, timmy s is drenched in sunshine for all the day parties this is sure to go off at and two s tones takes things on a jazz twist, with clever sampling but always that underlying groove that the roots for bloom label is known for. fans of the previous releases wont be dissapointed.

back in february 2013, shortly after their impressive first release as a label, music is love launched a double va entitled lovebox: an 8 track double-vinyl release that included tracks from 8 talented up-and-coming producers on their roster. by innovatively previewing the producers in this way, the label laid the foundations for what listeners could expect for each artists subsequent eps. the artists who released on it were not hyped up flavours of the month, but rather emerging talents who sat perfectly with the labels musical ethos - quality and original underground house with a contemporary, dynamic feel. since the va, the label have gone from strength to strength and have firmly established themselves as one of the most brightest house labels around in the uk.

planetary telepathy intelligent rhythmic perception, inspired of cosmic energy. drivetrain (detroit, usa) mariana deep challenging the laws of chronology,derrick thompson seamlessly fuses patterns of sound, manipulating various time signatures,to spawn a bottomless trench of infectious tronic movement

special package containing 7 inch (longing) + cd (heart & soul - strings & nostalgia) with additional hidden track
- dvd digipak sleeve
- goldstamps
- liner notes by thaddeus herrmann (de:bug)
- sticker

as you know the world is full of freaks and we love the music freaks! already part 3 of this compilation project, quintessentials again offer 4 quality cuts of house music. deep, raw, old school, new school, pumping, jacking, mellow - its all there! thank you mat, thank you jamie, thank you jack fell down, thank you anaxander!

hot off the heels of our first release, which saw us top the juno charts and sell out in record stores across the uk, our 2nd ep is sure to keep the foot firmly on the gas! this 4 track ep is sure to set hearts on fire and deliver a huge dose of energy to dancefloors across the globe.

ltd red coloured 7 inch vinyl, with two brilliant deep house tracks. decks tipp

having recently relocated to london, urulu & chaos in the cbd join forces for needwants next stellar release. sharing the same musical passion and vision, yet each holding distinct style and influences, they were able to come together and deliver something really special. a combination of four deep, diverse cuts where old school meets the new school.

first in is a beat heavy analogue chug rework of the rare and weird italo 7 inch *i am your master* by the mysterious italo connoisseur savino dj and dj peet need based in holland. the arpeggiating bass line digs a circular trench that gets deeper as the track marches on until you end up stuck on an island with a strange creepy midget man. music that blurs the line between disco dreams and nightmares starion is back for more on ep2. how will he make a heavier track than ep1s *another dimension*? by making *darkstar*. analogue manctalo chug at its finest. big bass line, big synth chords, big vocoder action. you couldnt get more dark disco electronic if you went clubbing with daleks and the cybermen were djing.

a hugely promising first release from new jack city helped established music is love as a label synonymous with deep, underground house music.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records sub – label wax classic. for this first release, we give you the opportunity to grab 5 fantastic trax done by some of the best deep house producers at the moment. a1 is done by the great girogio luceri whose been releasing some very hot tunes through jamal moss mathematics & runaways on the prowl labels. a2 is done by jamie trench one of the new hot producer made in london, his track sound very very garage & we loved it instantly. while on the b side we have again 3 bomb tracks featuring first on b1 jackmaster k who delivers clearly an anthem, it reminds us some of best house music made in uk (circa 91/92), this track could have been played by sasha & digweed or carl cox at shoom ! b2 is marcoradi , an italian producer who teamed up with the great nicholas on one his 4lux release. he also produced many remixes (erykah badu ect ...) & some 12 inches over the years. b3 is rio padice from rawax & housewax fame those tracks are all firmly rooted into the deep house sound (check the detroitian vibes of get back). they never settle into one comfortable, predictable groove. its heady, emotion-rich grooves include warm, melodic two-step and future garage flavas, dubwise slo-mo grooves. its eclectic, no doubt, but thanks to those guys warm production and heavy deep vocals, this release will put your hands up in the air marvellously.

the ep has already gained huge support by james johnston, tomorrow is now kid, kid mark, oli furness, scottie deep, jamie trench, lucas rawculture, sem marini, kool vibe, jeremy underground, tunde adams caspa, bryan agent pepper, skylax records, washerman & more!

coloured double vinyl in gatefold sleeve.

surplus ships is sort of an odd - beat based - vinyl version of pomassls spare parts album (raster noton 2009). with hints from his excellent skeleton material released by sabotage/laton/sex tags mania (1996-2007) his new mini-lp takes fragments of dubstep, techno, skwee, even oriental atonal melodies and merges it with pomassls signature industrial attitude and avant sense of compositions. enter the quality sonic world of pomassl.

after the smooth sonic assault of invisible sunrise, seahawks dive deep and return with the immersive aquatic opus that is tender abyssin the tradition of oceanic soundscapes by the likes of dolphins into the future and jurgen muller, seahawks have created a deep listening experience that takes you way down beyond the mariana trench. part one reveals a world of storms, where wild encounters and unexplained phenomena precipitate aquatic hallucinations. part two illuminates an underwater world of wonder, a sensory cornucopia, where soft vistas unfurl as the mind relaxes in an ocean of bliss. take a deep breath and enter the tender abyss. as always with seahawks releases the album is beautifully packaged and extremely limited.

closely related to underground resistance, scan 7 is a mysterious detroit underground collective gathering seven artists. the group is most famous for its ninja like appearances, often dressed in black with black masks and hats, the use code names to protect there true identification, they believe its not who you see, but what you hear that is the most crucial element in techno! associated with such labels as underground resistance, soma & f communications, scan 7 via their own imprint have brought together a double cd of detroit influenced techno.
and ... this is the fourth sampler from their album >techno brings people together<.